Riley was born at Norwood, London, the daughter of a businessman. Her childhood was spent in Cornwall and Lincolnshire. She studied at Goldsmiths' College from 1949 to 1952, and at the Royal College of Art from 1952 to 1955. She began figure painting subjects with an impressionist influence, then changed to pointillism around 1958 landscapes. In 1960 she evolved a style in which she explored the dynamic potentialities of optical illusions. These Op Art works, such as Fall, 1963, produce a disorienting physical effect on the eye.
Riley taught children for two years before joining the Loughborough School of Art, where she initiated a basic design course in 1959. She then taught at Hornsey School of Art, and from 1962 at Croydon School of Art. She worked for the J. Walter Thompson Group advertising agency from 1960, but gave up teaching and advertising agency work in 1963-4.
Riley was awarded the AICA Critics Prize in 1963 and also that year a John Moores', Liverpool Open Section prize. In 1964 she was awarded a Peter Stuyvesant Foundation Travel bursary to the USA. In 1968 she won an International Painting Prize at the Venice Biennale.
Her first solo exhibition was held at Gallery One in 1962 with a second solo show the following year. Other solo shows were held at Nottingham University, 1963; Richard Feigen Gallery, New York and Feigen Palmer Gallery, Los Angeles, 1965; Museum of Modern Art, New York, with US tour, 1966; Venice Biennale, British Pavilion (with Phillip King), 1968; Hayward Gallery, London, 1971; National Gallery, Prague, 1971; Hayward Gallery and Kunsthalle Nuremberg, 1992; Kettle's Yard, Cambridge, 1995; and Waddington Galleries, London, 1996.
Benny Andrews’s narrative paintings tell stories of social injustice. Inspired by his youth in the segregated American South, Andrews created a body of work showing scenes from the Civil Rights movement, American Indian relocation, antiwar protests, and other cultural struggles. He described himself as a “people’s painter". His political series show paintings of everyday people and moments, expressing aview of the human condition in times of conflict. He tried to express authentic emotion by using a painterly style like folk art, often incorporating collaged elements pulled from daily life. “I started working with collage because I found oil paint so sophisticated, and I didn’t want to lose my sense of rawness,” Andrews said.
This is a statement by Mr. Montgomery, "I have known from the first time I picked up a crayon that I wanted to be an artist. In 1992, I received Bachelor of Arts with honors with concentrations in Graphic Design, and Drawing & Painting from LaGrange College in LaGrange, Georgia. That same year enrolled in the Illustration program at Portfolio Center in Atlanta, Georgia, graduating in 1994 winning several awards and honors. I was soon hired as an on staff illustrator for a small design firm for a year and a half, then struck out on my own. From 1998-2012 I taught and shared my craft as an adjunct Illustration Professor. Now for the past 20+ years I have tremendously enjoyed being able to pursue my love for art professionally as an Illustrator and Graphic Designer. I work/play from my home studio near Atlanta, GA."
Hans Rudolf Giger (ghee-gur) 5 February 1940 – 12 May 2014) was a Swiss painter, whose style was adapted for many forms of media, including record-albums, furniture and tattoo-art.
The Zurich-based artist was best known for airbrush images of humans and machines linked together in a 'biomechanical' relationship. Later he abandoned airbrush work for pastels, markers or ink. He was part of the special effects team that won an Academy Award for design work on the film "Alien".
Click on this button to go to a page and then click on the image to see amazing works of art commemorating 9/11 tragedy.
Born in 1927 in Nashville, Tennessee, Margaret has always loved to paint and draw since an early age. She first made her paintings famous in San Francisco’s North Beach in the 1950s.
Margaret’s work drew little accolades from art critics but was loved and admired by the world. Andy Warhol said, “I think what Keane has done is terrific! If it were bad, so many people wouldn’t like it.” Margaret went on to become one of the most successful living artist in the early 60s.
Margaret’s art gained wide favor and started a big-eyed movement in the early 60s, influencing a large crop of big-eyed artist such as Lee, Gig, Maio, Ozz Franca, Igor Pantuhoff, and Eve. Margaret has created a legacy of Big Eyes influencing many toy designs and cartoons, such as the cartoon Powerpuff Girls, created by Craig McCracken. And more recently numerous illustrators, New Contemporary and Pop Surrealism artist such as, Yoshitomo Nara, Mark Ryden, and Tim Burton.
One of Margaret’s favorite artist is Amedeo Modigliani, and His art has had a major influence in the way she’s painted women since circa 1959. Throughout the years Margaret has also been influenced by Van Gogh, Henri Rousseau, Leonardo da Vinci, Gustav Klimt, Edgar Degas, Picasso, Sandro Botticelli and Paul Gauguin. Each of these artist have influenced Margaret’s use of color, dimension and composition. Along with these great and awe inspiring artist, Margaret’s own creative genius of Big Eyes and women has continued to influence and inspire countless artist today.
Adored by fans and collectors Worldwide, at 87 years old, Margaret continues to paint almost daily in Northern California. Margaret is one of the most prolific and influential artist ever, and is an American Icon and Modern Master. Learn more about Margaret Keane at www.keane-eyes.com
Roy Lichtenstein was an American pop artist best known for his boldly-colored parodies of comic strips and advertisements.
American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997.
Les Levine was born in Dublin in 1935.
Considered a major originator of the conceptual movement, he was one of the first artists to use video tapes for artistic purposes.This “media sculptor” incorporated many technological and information tools into his art, such as the television, radio, billboards, telephone and other means of mass communication. His 1973 show entitled The Troubles: An Artist’s Document of Ulster introduced the concept of art as a sociological tool. Les Levine is the recipient of many awards, including the first prize for sculpture in the Canadian Sculpture Biennal. He is also a writer, lecturer and panelist. During the 1970s, he was the Associate Professor at NYU and the Distinguished Professor of Video Art at William Patterson College.
Diego Rivera was one of Mexico's most famous artists. He rebelled against the traditional school of painting and developed a style that combined historical, social, and political ideas. He is famous for his controversial murals. His great body of work reflects cultural changes taking place in Mexico and around the world during the 20th century.
Ice sculpture is the art of carving shapes out of ice. Sculptures range from small table decorations to entire towns of ice seen in winter festivals all over the world. This art began in China and Russia many centuries ago.
In the 1600's, native hunters and fishermen of the Chinese province of Heilongjiang, on the border of Russia, designed ice lanterns for dark winter nights. They filled buckets with water to make ice. The ice would be slid out and then a hole was dug into the ice block to hold a candle to make a lantern. People started hanging decorated lanterns from their houses and carrying them in carnivals. In 1897, the Transsiberian Railway was extended through the small Chinese fishing town of Harbin in Heilongjiang, once occupied by Russia. As a result of the traffic, Harbin grew into a big city. With below freezing winds from Siberia, and ice from the frozen Songhua river, Harbin became the home of the annual International Ice and Snow Sculpture Festival. Currently, this festival features the work of thousands of artists from all over the world.
In 1740, the Empress Anna in Russia, commissioned the first monumental scale ice palace by Piotr Eropkin, The palace included ice cannons that fired ice cannon balls, and an ice elephant linked to a canal through pipes thath sprayed water out of its trunk. Since then, complete ice towns have been built in the northern cities of Russia. In 2000, a replica of Anna's ice palace was built in the first International Sand and Ice festival at St. Petersburg. Nine hundred and eighty square feet and 21 feet tall, the palace was built by fusing together blocks of ice from the Neva river. Russians claim that St. Petersburg was where ice sculpture began.
There are two ways to make ice sculpture: You can carve into a block of ice or make a mold. Blocks of ice are obtained from frozen rivers and lakes. Typically water that freezes slowly makes clear ice and is preferred by artists to make ice sculptures. In some places, artificial blocks of ice are made for this purpose.
You can order custom or designed ice sculptures to use as centerpieces for celebrations such as weddings, birthdays ,etc. Depending on the weather and the structure of the sculpture, ice art can melt in just a few hours or months. The Harbin International Ice festival, for example, runs for two months. Artists enter elaborate ice sculptures at competitions and festivals held annually all over the world.
Ice festivals are seen in places that get very cold. Festivals in Sapporo, Japan, for instance, feature sculpture on an architectural scale such as ice castles and pagodas. The winter carnival in Alaska has participants from over 100 teams annually, including teams from countries such as China and the United States. In Sweden an ice hotel complete with bedrooms and a bar is built every year.